Vidaamuyarchi Box Office Collection Day 6: Ajith Kumar's Film Continues Doing Good Business
Vidaamuyarchi Box Office Collection Day 6: Ajith Kumar's film is holding steady at the ticket windows.
Ajith Kumar’s Vidaamuyarchi is showing no signs of slowing down. After a solid start at the box office, the action-packed thriller is still pulling in audiences and keeping the cash registers ringing. With each passing day, fans are proving their love for Thala Ajith. Magizh Thirumeni’s Vidaamuyarchi released in theatres on February 6, 2025. It is a remake of the 1997 American film Breakdown.
As per the industry tracker Sacnilk, Vidaamuyarchi has pulled in an impressive Rs 68.8 crore nett at the domestic box office on Day 6. The film is managing to hold its ground on weekdays, maintaining a steady run. All eyes are now on the upcoming weekend, as fans wait to see if the film will gain fresh momentum and push its numbers even higher.
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Vidaamuyarchi is expected to cross Rs 70 crore nett today, February 12.
Early trade estimates suggest that Vidaamuyarchi added Rs 3.35 crore nett to its domestic box office tally on February 11. The film maintained a steady pace, earning around Rs 3 crore on both Monday and Tuesday. In just six days, the Ajith Kumar-starrer has raked in Rs 68.8 crore nett across India, with the Tamil version contributing Rs 67.05 crore and the Telugu version bringing in Rs 1.75 crore.
Ajith Kumar, 53, is a powerhouse of Southern cinema with over 60 blockbuster films under his belt, including iconic hits like Aasai, Kadhal Kottai, Citizen, Villain, Varalaru, and Billa. His latest action thriller Vidaamuyarchi features an impressive ensemble cast, including Trisha, Arjun Sarja, and Regina Cassandra.
Vidaamuyarchi follows the journey of a man on a high-stakes mission to rescue his wife, who has been abducted by a dangerous group in Azerbaijan. A part of the review by News18 of the film read, “Vidaamuyarchi is largely engaging throughout despite the predictability, and the credit goes to Magizh Thirumeni, who is exceptional in his smooth expositions. One gets more intrigued about how the story is told than what is being told, as what of it is pretty straightforward. He doesn’t deviate much from all tropes of this genre film of survival. There is a ploy involved with twists that aren’t surprising but interesting. On top of everything, the action set pieces become the icing on the cake. There is one inside a moving car, that keeps one on the edge of the seat. The top camera angle of the fight sequence is the chef’s kiss. The same can be said about all the technical aspects of the film, which at times is, unfortunately, too clinical, making things a bit plastic."
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